{"id":996,"date":"2013-08-08T11:45:21","date_gmt":"2013-08-08T11:45:21","guid":{"rendered":"http:\/\/rescen.net\/blog5\/?p=996"},"modified":"2013-08-09T11:17:59","modified_gmt":"2013-08-09T11:17:59","slug":"home-is-where-the-heart-is","status":"publish","type":"post","link":"https:\/\/rescen.net\/blog5\/2013\/08\/home-is-where-the-heart-is\/","title":{"rendered":"&#8220;Home&#8221; is where the heart is&#8230;"},"content":{"rendered":"<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"1055\" data-permalink=\"https:\/\/rescen.net\/blog5\/2013\/08\/home-is-where-the-heart-is\/unknown\/\" data-orig-file=\"https:\/\/i0.wp.com\/rescen.net\/blog5\/wp-content\/uploads\/2013\/08\/Unknown.jpeg?fit=240%2C170&amp;ssl=1\" data-orig-size=\"240,170\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;}\" data-image-title=\"Unknown\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/i0.wp.com\/rescen.net\/blog5\/wp-content\/uploads\/2013\/08\/Unknown.jpeg?fit=240%2C170&amp;ssl=1\" class=\"alignnone size-full wp-image-1055\" alt=\"Unknown\" src=\"https:\/\/i0.wp.com\/rescen.net\/blog5\/wp-content\/uploads\/2013\/08\/Unknown.jpeg?resize=240%2C170&#038;ssl=1\" width=\"240\" height=\"170\" srcset=\"https:\/\/i0.wp.com\/rescen.net\/blog5\/wp-content\/uploads\/2013\/08\/Unknown.jpeg?w=240&amp;ssl=1 240w, https:\/\/i0.wp.com\/rescen.net\/blog5\/wp-content\/uploads\/2013\/08\/Unknown.jpeg?resize=150%2C106&amp;ssl=1 150w\" sizes=\"auto, (max-width: 240px) 100vw, 240px\" \/>\u00a0\u00a0 <img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"999\" data-permalink=\"https:\/\/rescen.net\/blog5\/2013\/08\/home-is-where-the-heart-is\/images\/\" data-orig-file=\"https:\/\/i0.wp.com\/rescen.net\/blog5\/wp-content\/uploads\/2013\/08\/images.jpeg?fit=78%2C96&amp;ssl=1\" data-orig-size=\"78,96\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;}\" data-image-title=\"Dr. LIU Feng-shueh\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/i0.wp.com\/rescen.net\/blog5\/wp-content\/uploads\/2013\/08\/images.jpeg?fit=78%2C96&amp;ssl=1\" class=\"alignnone size-full wp-image-999\" alt=\"Dr. LIU Feng-shueh\" src=\"https:\/\/i0.wp.com\/rescen.net\/blog5\/wp-content\/uploads\/2013\/08\/images.jpeg?resize=78%2C96&#038;ssl=1\" width=\"78\" height=\"96\" \/>\u00a0\u00a0 <img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"998\" data-permalink=\"https:\/\/rescen.net\/blog5\/2013\/08\/home-is-where-the-heart-is\/attachment\/1121\/\" data-orig-file=\"https:\/\/i0.wp.com\/rescen.net\/blog5\/wp-content\/uploads\/2013\/08\/1121.jpg?fit=120%2C157&amp;ssl=1\" data-orig-size=\"120,157\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;}\" data-image-title=\"Tang Dynasty reconstructions\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/i0.wp.com\/rescen.net\/blog5\/wp-content\/uploads\/2013\/08\/1121.jpg?fit=120%2C157&amp;ssl=1\" class=\"alignnone size-full wp-image-998\" alt=\"Tang Dynasty reconstructions\" src=\"https:\/\/i0.wp.com\/rescen.net\/blog5\/wp-content\/uploads\/2013\/08\/1121.jpg?resize=120%2C157&#038;ssl=1\" width=\"120\" height=\"157\" srcset=\"https:\/\/i0.wp.com\/rescen.net\/blog5\/wp-content\/uploads\/2013\/08\/1121.jpg?w=120&amp;ssl=1 120w, https:\/\/i0.wp.com\/rescen.net\/blog5\/wp-content\/uploads\/2013\/08\/1121.jpg?resize=114%2C150&amp;ssl=1 114w\" sizes=\"auto, (max-width: 120px) 100vw, 120px\" \/><\/p>\n<p>After a\u00a0week of\u00a0intensive academics seminars, group discussion, and\u00a0of\u00a0course, observations in\u00a0the\u00a0studios with various choreographers and\u00a0dancers involved in\u00a0this 2013 ArtsCross London project, I\u00a0am drawn to\u00a0the\u00a0concept of\u00a0<b>home\/elsewhere<\/b>\u2014the\u00a0rich theme for\u00a0this year.<\/p>\n<p>Yesterday, some choreographers shared their thoughts regarding to\u00a0this topic.\u00a0 Later our group furthered the\u00a0conversation, with engaging talk about our own hometowns\u2014referring to\u00a0where we were born and\u00a0brought up, as\u00a0well as\u00a0the\u00a0\u201chomes\u201d in\u00a0our heart\/mind.\u00a0 (Thanks to\u00a0Zeng Huanxin\u2019s comments, and\u00a0Martin Welton\u2019s introduction of\u00a0a\u00a0dinner party game of\u00a0a\u00a0similar nature.)<\/p>\n<p>Often, due to\u00a0nostalgia, and\u00a0perhaps other reasons, our better memories of\u00a0home pops up when we are away from home for\u00a0a\u00a0period of\u00a0time.<\/p>\n<p>After the\u00a0<nobr>run-through<\/nobr> last evening, Kenny Leung&#8211;the\u00a0final male soloist in\u00a0Zeng\u2019s piece dancing to\u00a0Schubert\u2019s \u201cAve Maria\u201d music&#8211;also shared his own thoughts about missing home while interpreting the\u00a0work.\u00a0 After all, Kenny is from Hong Kong, and\u00a0having spent a\u00a0few years in\u00a0Taiwan studying at\u00a0TNUA for\u00a0his MFA in\u00a0Dance Performance, he expressed his homesickness through this dance.<\/p>\n<p>This also led me to\u00a0think about choreographer Liu <nobr>Feng-shueh<\/nobr>, artistic director of\u00a0<nobr>Neo-Classic<\/nobr> Dance Company from Taiwan. We saw some images of\u00a0her reconstruction work from Tang Dynasty in\u00a0one of\u00a0our seminars few days ago.\u00a0 I\u00a0recall Jiang Dong mentioning how her work was further reinforced through Dr. Liu\u2019s visit to\u00a0Szechuan after the\u00a0opening up of\u00a0travels to\u00a0China since the\u00a01990s for\u00a0residents from Taiwan.<\/p>\n<p>However, Liu had previously conducted research in\u00a0Japan on\u00a0Gagaku\u2014since it is similar to\u00a0the\u00a0music tradition from Tang Dynasty and\u00a0well preserved by\u00a0the\u00a0Japanese.\u00a0 Later, during her Ph.D. studies in\u00a0UK\u2019s Laban Centre (with further research with her advisor from Cambridge University), she was able to\u00a0locate further information about Tang music to\u00a0reconstruct her dances. This sense of\u00a0mission to\u00a0reach back to\u00a0one\u2019s past, as\u00a0she is originally from China\u2019s northeastern province of\u00a0Heilungjaing bordering Russia, plays an\u00a0important role in\u00a0her repertoire.<\/p>\n<p>But on\u00a0the\u00a0other hand, having arrived in\u00a0Taiwan after World War II, Liu\u2019s interest in\u00a0the\u00a0indigenous dances from Taiwan\u2019s aboriginal communities is another main feature of\u00a0her contemporary creations.\u00a0 In\u00a0fact, to\u00a0differentiate, she has two dance companies under her name: 1) <span style=\"text-decoration: underline;\"><nobr>Neo-Classic<\/nobr> Dance Company<\/span>, which presents her new choreographies based on\u00a0modern dance aesthetics, often with a\u00a0theme and\u00a0concern inspired by\u00a0indigenous cultures from Taiwan; and\u00a02) the\u00a0<span style=\"text-decoration: underline;\">Tang Music and\u00a0Dance Ensemble<\/span>, which focuses on\u00a0reconstructing Tang Dynasty dances. Such double concerns&#8211;as\u00a0drawn from her home of\u00a0origin in\u00a0China, and\u00a0her later adopted home in\u00a0Taiwan \u2013 reflects an\u00a0interesting topic of\u00a0home\/elsewhere which I\u00a0may explore further in\u00a0the\u00a0coming days of\u00a0this ArtsCross London 2013 Project.<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u00a0\u00a0 \u00a0\u00a0 After a\u00a0week of\u00a0intensive academics seminars, group discussion, and\u00a0of\u00a0course, observations in\u00a0the\u00a0studios with various choreographers and\u00a0dancers involved in\u00a0this 2013 ArtsCross London project, I\u00a0am drawn to\u00a0the\u00a0concept of\u00a0home\/elsewhere\u2014the\u00a0rich theme for\u00a0this year. Yesterday, some choreographers shared their thoughts regarding to\u00a0this topic.\u00a0 Later our&hellip; <\/p>\n","protected":false},"author":14,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[1],"tags":[],"class_list":["post-996","post","type-post","status-publish","format-standard","hentry","category-general_posts"],"jetpack_publicize_connections":[],"jetpack_shortlink":"https:\/\/wp.me\/p8mnDM-g4","jetpack-related-posts":[{"id":57,"url":"https:\/\/rescen.net\/blog5\/2013\/07\/choreographers-workshops-and-discussion\/","url_meta":{"origin":996,"position":0},"title":"Choreographers\u2019 workshop and discussion","author":"Andrew Lang","date":"19 July 2013","format":false,"excerpt":"","rel":"","context":"In &quot;Photos&quot;","block_context":{"text":"Photos","link":"https:\/\/rescen.net\/blog5\/category\/photos\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":78,"url":"https:\/\/rescen.net\/blog5\/2013\/07\/choreographers-workshop-19th-july\/","url_meta":{"origin":996,"position":1},"title":"Choreographers&#8217; workshop 19th July","author":"Martin Welton","date":"20 July 2013","format":false,"excerpt":"ArtsCross began on\u00a0Friday morning with Chris leading the\u00a0choreographers (bar two, still in\u00a0transit) in\u00a0a\u00a0workshop. It\u2019s a\u00a0privilege to\u00a0be able to\u00a0watch the\u00a0process from the\u00a0very beginning this year, and\u00a0even more so, to\u00a0do so with the\u00a0rich background of\u00a0the\u00a0projects Beijing and\u00a0Taipei instalments underpinning it. It starts in\u00a0a\u00a0gentle, theatrical way. Across the\u00a0performing arts, many of\u00a0us will have\u2026","rel":"","context":"In &quot;General posts&quot;","block_context":{"text":"General posts","link":"https:\/\/rescen.net\/blog5\/category\/general_posts\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":173,"url":"https:\/\/rescen.net\/blog5\/2013\/07\/here-comes-beijing-london-taipei-in-alphabetical-order\/","url_meta":{"origin":996,"position":2},"title":"Here comes&#8230; Beijing! London! Taipei! (in alphabetical order&#8230;)","author":"Steffi Sachsenmaier","date":"22 July 2013","format":false,"excerpt":"After two phases of\u00a0Artscross I\u00a0attended in\u00a0Taipei in\u00a02011 and\u00a0in\u00a0Beijing in\u00a02o12 so far, an\u00a0important shift took place for\u00a0me at\u00a0the\u00a0auditions for\u00a0this 2013 phase in\u00a0London. I\u00a0had always been highly sensitive to\u00a0the\u00a0discourses that emerged around the\u00a0dancers and\u00a0choreographers, as\u00a0well as\u00a0academics, representing in\u00a0some ways their 'countries'. Very easily, in\u00a0my\u00a0view, discussions arise in\u00a0which generalisations happen about Chinese-ness, British-ness\u2026","rel":"","context":"In &quot;General posts&quot;","block_context":{"text":"General posts","link":"https:\/\/rescen.net\/blog5\/category\/general_posts\/"},"img":{"alt_text":"IMG_0465","src":"https:\/\/i0.wp.com\/rescen.net\/blog5\/wp-content\/uploads\/2013\/07\/IMG_0465-300x225.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":972,"url":"https:\/\/rescen.net\/blog5\/2013\/08\/rethink-translation-in-a-process-of-artcrossing\/","url_meta":{"origin":996,"position":3},"title":"Rethink translation in a process of &#8220;artcrossing&#8221;","author":"I-Ying Wu","date":"7 August 2013","format":false,"excerpt":"As\u00a0an\u00a0interpreter, I\u00a0feel myself as\u00a0a\u00a0medium or\u00a0a\u00a0bridge between choreographers and\u00a0dancers, and\u00a0between Chinese speakers and\u00a0English speakers in\u00a0this project. This experience has made me question what translation means for\u00a0performing arts and\u00a0how to\u00a0translate in\u00a0an\u00a0artistic process that involves dancers and\u00a0choreographers from diverse cultural backgrounds and\u00a0linguistic or\u00a0cognitive systems. Is there an\u00a0alternative mode besides language emerging in\u00a0this process?\u2026","rel":"","context":"In &quot;General posts&quot;","block_context":{"text":"General posts","link":"https:\/\/rescen.net\/blog5\/category\/general_posts\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":1247,"url":"https:\/\/rescen.net\/blog5\/2013\/08\/project-introduction-in-japanese-web\/","url_meta":{"origin":996,"position":4},"title":"Project introduction on Japanese web","author":"Naomi Inata","date":"22 August 2013","format":false,"excerpt":"I\u00a0posted an\u00a0introduction about this project to\u00a0Japanese \"The\u00a0Dance Times\" which I\u00a0and\u00a0some dance critics are running\u00a0on\u00a0the\u00a0web. http:\/\/www.dance-times.com\/ Although very few people in\u00a0this project read Japanese, I\u00a0would like to\u00a0introduce it to\u00a0Japanese dance people. I\u00a0hope many people\u00a0might be \u00a0interested in\u00a0this project. Here's a\u00a0translation of\u00a0the\u00a0post: ArtsCross London 2013 \u2013 Leaving home: being elsewhere From 1\u201311\u2026","rel":"","context":"In &quot;General posts&quot;","block_context":{"text":"General posts","link":"https:\/\/rescen.net\/blog5\/category\/general_posts\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":1352,"url":"https:\/\/rescen.net\/blog5\/2014\/11\/embodied-translation-artscross-5th-anniversary-performance-beijing-dance-academy-october-2014\/","url_meta":{"origin":996,"position":5},"title":"Embodied translation: Artscross 5th Anniversary Performance, Beijing Dance Academy October 2014","author":"Rebecca Loukes","date":"10 November 2014","format":false,"excerpt":"I\u2019ve been in\u00a0Beijing for\u00a0just under a\u00a0week, observing the\u00a0final rehearsals and\u00a0performance of\u00a0nine pieces selected from the\u00a0past five years of\u00a0ArtsCross. The\u00a0programme for\u00a0the\u00a0show on\u00a023rd October consisted of\u00a0works by\u00a0chorographers from Beijing, Taipei and\u00a0London. The\u00a0pieces were reworked in\u00a0various ways and\u00a0included some of\u00a0the\u00a0original dancers and\u00a0some new performers. As\u00a0a\u00a0spectator and\u00a0academic participant in\u00a0ArtsCross since 2011, it was very\u2026","rel":"","context":"In &quot;General posts&quot;","block_context":{"text":"General posts","link":"https:\/\/rescen.net\/blog5\/category\/general_posts\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]}],"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/rescen.net\/blog5\/wp-json\/wp\/v2\/posts\/996","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/rescen.net\/blog5\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/rescen.net\/blog5\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/rescen.net\/blog5\/wp-json\/wp\/v2\/users\/14"}],"replies":[{"embeddable":true,"href":"https:\/\/rescen.net\/blog5\/wp-json\/wp\/v2\/comments?post=996"}],"version-history":[{"count":11,"href":"https:\/\/rescen.net\/blog5\/wp-json\/wp\/v2\/posts\/996\/revisions"}],"predecessor-version":[{"id":1082,"href":"https:\/\/rescen.net\/blog5\/wp-json\/wp\/v2\/posts\/996\/revisions\/1082"}],"wp:attachment":[{"href":"https:\/\/rescen.net\/blog5\/wp-json\/wp\/v2\/media?parent=996"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/rescen.net\/blog5\/wp-json\/wp\/v2\/categories?post=996"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/rescen.net\/blog5\/wp-json\/wp\/v2\/tags?post=996"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}