{"id":630,"date":"2013-08-03T12:25:49","date_gmt":"2013-08-03T12:25:49","guid":{"rendered":"http:\/\/rescen.net\/blog5\/?p=630"},"modified":"2013-08-03T17:14:13","modified_gmt":"2013-08-03T17:14:13","slug":"how-do-we-do-it","status":"publish","type":"post","link":"https:\/\/rescen.net\/blog5\/2013\/08\/how-do-we-do-it\/","title":{"rendered":"How do we do it?"},"content":{"rendered":"<p>In\u00a0connection to\u00a0talks in\u00a0the\u00a0working group \u2018Crossing disciplines\u2019 I\u00a0have tried to\u00a0see what is potentially unique about the\u00a0ArtsCross concept from a\u00a0disciplinary perspective. Discussing disciplinary approaches is of\u00a0course inspiring in\u00a0light of\u00a0the\u00a0versatile framework of\u00a0the\u00a0project, in\u00a0which national, linguistic, cultural, pedagogic and\u00a0aesthetic boundaries are crossed \u2013 just as\u00a0the\u00a0theme of\u00a0this year\u2019s edition of\u00a0ArtsCross indicates. However, rather than navigating disciplines to\u00a0speculate about the\u00a0concepts of\u00a0home or\u00a0elsewhere, or\u00a0simply decode what is being encoded I\u00a0rehearsal processes, I\u00a0have pursued crucial meeting points between the\u00a0project management, choreographers, performers and\u00a0academics. The\u00a0mentioned roles and\u00a0functions are often considered as\u00a0integral parts of\u00a0case studies in\u00a0<nobr>so-called<\/nobr> <nobr>performance-as-research<\/nobr> projects in\u00a0which the\u00a0artistic processes epitomize the\u00a0investigations but where the\u00a0multimodal <nobr>make-up<\/nobr> of\u00a0the\u00a0projects such as\u00a0management, documentation and\u00a0critical reflection also hold significant functions. So is it possible to\u00a0detect the\u00a0unique qualities of\u00a0ArtsCross from a\u00a0<nobr>performance-as-research<\/nobr> perspective? Let me try to\u00a0answer that question from a\u00a0broad disciplinary horizon.<\/p>\n<p>As\u00a0I\u00a0mentioned in\u00a0my\u00a0first posting within the\u00a0\u2018Crossing disciplines\u2019 forum I\u00a0look upon the\u00a0performance processes as\u00a0the\u00a0core activities of\u00a0the\u00a0project. And\u00a0as\u00a0Martin pointed out yesterday these processes have proven to\u00a0be experimental in\u00a0several of\u00a0the\u00a0choreographic processes. To\u00a0synthesize these comments, I\u00a0view the\u00a0experimental scope of\u00a0the\u00a0performance processes as\u00a0the\u00a0gist of\u00a0the\u00a0ArtsCross concept. Experimentality pertains to\u00a0all research orientations within higher education institutions, although in\u00a0different ways and\u00a0for\u00a0different purposes.<\/p>\n<p>Experiments are central to\u00a0natural sciences such as\u00a0medicine. In\u00a0order to\u00a0produce a\u00a0new vaccine in\u00a0lab experiments different components are often introduced in\u00a0order to\u00a0observe new reactions to\u00a0a\u00a0pathogen. If successful, the\u00a0test will need to\u00a0be repeated over time in\u00a0order to\u00a0corroborate the\u00a0predictability and\u00a0sustainability of\u00a0the\u00a0result as\u00a0well as\u00a0go through an\u00a0ethical clearance procedure.<\/p>\n<p>In\u00a0many ways social sciences are less experimental in\u00a0so far as\u00a0they mostly aim to\u00a0investigate what actually goes on\u00a0in\u00a0society and\u00a0social relations. If we stick with the\u00a0medical experiment, laboratory experiments often turn to\u00a0the\u00a0social science of\u00a0epidemiology in\u00a0order to\u00a0corroborate the\u00a0success and\u00a0stability of\u00a0a\u00a0new medicine. Again, this is done in\u00a0light of\u00a0how people actually live, how susceptible lifetyles are to\u00a0a\u00a0certain ailment and\u00a0how effective a\u00a0vaccine would be against the\u00a0ailment. So an\u00a0experimental test group (who tries the\u00a0vaccine) is set up alongside a\u00a0control group (who is given a\u00a0placebo) under normal living circumstances. Again, it is the\u00a0medical trials that are experimental, not the\u00a0social aspect of\u00a0the\u00a0people who are ready to\u00a0test it. To\u00a0take another although related example in\u00a0the\u00a0social sciences, the\u00a0ethnographic fieldwork of\u00a0anthropology has built up a\u00a0whole paradigm of\u00a0philosophically and\u00a0ethically motivated paradigm to\u00a0demonstrate the\u00a0merit of\u00a0observing, rather than intervening or\u00a0otherwise altering, the\u00a0behaviour of\u00a0people (even if this is changing in\u00a0connection to\u00a0<nobr>self-reflective<\/nobr> and\u00a0participatory fieldwork methods).<\/p>\n<p>When it comes to\u00a0the\u00a0arts and\u00a0humanities within conventional higher education institutions, they are quite difficult to\u00a0appreciate in\u00a0terms of\u00a0experimentality. On\u00a0the\u00a0one hand they are often focusing on\u00a0experimental practices in\u00a0the\u00a0arts that disrupt and\u00a0alternate linguistic, performative, corporeal and\u00a0other phenomena, but do not usually intervene or\u00a0alternate the\u00a0events or\u00a0objects they are studying. In\u00a0a\u00a0similar manner, the\u00a0ArtsCross project is designed to\u00a0keep performance processes and\u00a0observing procedures apart in\u00a0order to\u00a0optimize the\u00a0practical\/professional and\u00a0analytical\/academic achievements in\u00a0their own respective right. In\u00a0the\u00a0working group \u2018Crossing disciplines\u2019, however, we have discussed, on\u00a0recommendation of\u00a0Ted, possibilities to\u00a0take on\u00a0our assignment as\u00a0\u2018ArtsCross studies\u2019, or\u00a0perhaps an\u00a0\u2018ArtsCross discipline\u2019. This would imply studying our meeting in\u00a0a\u00a0multidisciplinary and\u00a0multimodal way, that is, in\u00a0the\u00a0portfolio format that <nobr>performance-as-research<\/nobr> projects are often assessed and\u00a0evaluated.<\/p>\n<p><nobr>Performance-as-research<\/nobr> (or\u00a0\u2018artistic research\u2019 as\u00a0it is more commonly called in\u00a0continental Europe) is a\u00a0relatively young category in\u00a0higher education which acknowledges practical studies such as\u00a0dance as\u00a0disciplines of\u00a0knowledge in\u00a0their own right. Due to\u00a0its novelty its official academic qualities and\u00a0assessment criteria are not fully developed. Hence artistic qualities must be legitimized in\u00a0terms of\u00a0assessment criteria that suit natural and\u00a0social sciences better than artistic pursuits. However, a\u00a0project like ArtsCross can provide opportunities to\u00a0amend this predicament if appreciated in\u00a0a\u00a0multidisciplinary way and, especially, in\u00a0terms of\u00a0an\u00a0\u2018experiment\u2019 in\u00a0its own right. Experiments usually involve interventions into <nobr>pre-existing<\/nobr> phenomena and\u00a0processes in\u00a0order to\u00a0explore new modes of\u00a0understanding, practices or\u00a0products. Just like a\u00a0science experiment, ArtsCross mixes <nobr>pre-existing<\/nobr> components (institutional pedagogies and\u00a0artistic agents) in\u00a0a\u00a0<nobr>laboratory-like<\/nobr> fashion (protected but open to\u00a0observation), although with the\u00a0critical difference that the\u00a0performances tests the\u00a0<nobr>open-ended<\/nobr> and\u00a0unpredictable outcomes of\u00a0intercultural, human collaborations. The\u00a0ArtsCross concept can of\u00a0course also adopt the\u00a0<nobr>observation-based<\/nobr> methodologies and\u00a0critical discourses of\u00a0the\u00a0social sciences, besides specialized arts and\u00a0<nobr>humanities-approaches<\/nobr> like dance studies and\u00a0performance studies.<\/p>\n<p>What we get from this multidisciplinary framework is not only a\u00a0dynamic project format with potentially unique qualities (which can contribute with essential bodily, <nobr>site-specific<\/nobr> and\u00a0<nobr>open-ended<\/nobr> qualities, I\u00a0believe, to\u00a0an\u00a0otherwise mainly linguistic discipline such as\u00a0intercultural communication), but also a\u00a0potential to\u00a0develop a\u00a0special type of\u00a0assessment criterion in\u00a0the\u00a0name of\u00a0\u2018experimentation\u2019, which ought to\u00a0be ascribed as\u00a0much significance as\u00a0\u2018predictability\u2019 in\u00a0natural sciences and\u00a0\u2018interpretation\u2019 in\u00a0social sciences. I\u00a0would not encourage us to\u00a0develop a\u00a0complex and\u00a0intricate concept like experimentation if it wasn\u2019t for\u00a0the\u00a0fact that we have managed to\u00a0produce quite excellent outcomes in\u00a0previous ArtsCross editions. Hence, we seem to\u00a0attain certain ends, or\u00a0aims, which we might wish to\u00a0justify in\u00a0terms of\u00a0innovative means, or\u00a0research methods (cultural diplomacy, creative collaboration, analytical and\u00a0critical reflections) as\u00a0well as\u00a0assessment criteria (such as\u00a0experimentation). Just a\u00a0thought.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>In\u00a0connection to\u00a0talks in\u00a0the\u00a0working group \u2018Crossing disciplines\u2019 I\u00a0have tried to\u00a0see what is potentially unique about the\u00a0ArtsCross concept from a\u00a0disciplinary perspective. Discussing disciplinary approaches is of\u00a0course inspiring in\u00a0light of\u00a0the\u00a0versatile framework of\u00a0the\u00a0project, in\u00a0which national, linguistic, cultural, pedagogic and\u00a0aesthetic boundaries are crossed \u2013 just&hellip; <\/p>\n","protected":false},"author":6,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[1],"tags":[],"class_list":["post-630","post","type-post","status-publish","format-standard","hentry","category-general_posts"],"jetpack_publicize_connections":[],"jetpack_shortlink":"https:\/\/wp.me\/p8mnDM-aa","jetpack-related-posts":[{"id":581,"url":"https:\/\/rescen.net\/blog5\/2013\/08\/boundary-crossers\/","url_meta":{"origin":630,"position":0},"title":"Boundary crossers","author":"Alexandra Kolb","date":"1 August 2013","format":false,"excerpt":"The\u00a0cross (as\u00a0in\u00a0ArtsCross) is part of\u00a0our project title and\u00a0is methodologically as\u00a0well as\u00a0thematically at\u00a0its core. The\u00a0cross X symbolises the\u00a0separation and\u00a0unification of\u00a0two elements. It marks the\u00a0distinction between systems, disciplines, cultures and\u00a0contexts; and\u00a0simultaneously entails their transcendence. ArtsCross is thus crucially, I\u00a0suggest, about boundary crossings. A\u00a0boundary may be seen as\u00a0an\u00a0\u201carbitrary line or\u00a0marker of\u00a0territory (which might\u2026","rel":"","context":"In &quot;General posts&quot;","block_context":{"text":"General posts","link":"https:\/\/rescen.net\/blog5\/category\/general_posts\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":810,"url":"https:\/\/rescen.net\/blog5\/2013\/08\/report-of-beijing-2012-artscross-from-taipeis-par-magazine\/","url_meta":{"origin":630,"position":1},"title":"report of Beijing 2012 Artscross from Taipei&#8217;s PAR magazine","author":"LIN Ya-tin","date":"6 August 2013","format":false,"excerpt":"2012 Beijing Artscross \u8de8\u85dd\u5831\u5c0ePAR 2012 Beijing Artscross\u8de8\u85dd\u5831\u5c0e PAR-1 2012 Beijing Artscross \u8de8\u85dd\u5831\u5c0ePAR-2 (total 3 pdf files)","rel":"","context":"In &quot;General posts&quot;","block_context":{"text":"General 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THEATERE)\u7684\u51fa\u73b0\u662f\u5bf9\u821e\u8e48\u8868\u8fbe\u4e4b\u4f20\u7edf\u65b9\u5f0f\u7684\u7a81\u7834\uff1b\u821e\u8e48\u7684\u8eab\u5fc3\u5408\u4e00\u6027\uff0c\u4f7f\u5f97\u5fc3\u7406\u5b66\u3001\u6559\u80b2\u5b66\u7b49\u4e0e\u4eba\u76f8\u5173\u7684\u5b66\u79d1\u7ed9\u4e88\u4e86\u821e\u8e48\u5168\u9762\u8fdb\u884c\u81ea\u6211\u5b9a\u4f4d\u7684\u89c6\u89d2\u3002\u56e0\u6b64\uff0c\u8de8\u827a\u7684\u5b58\u5728\u3001\u8de8\u5b66\u79d1\u7684\u7814\u7a76\u65e2\u662f\u821e\u8e48\u827a\u672f\u5b9e\u8df5\u4e0e\u7406\u8bba\u53d1\u5c55\u7684\u73b0\u8c61\uff0c\u4e5f\u662f\u821e\u8e48\u827a\u672f\u83b7\u5f97\u66f4\u591a\u793e\u4f1a\u5173\u6ce8\u4e0e\u8bc4\u4ef7\u7684\u9014\u5f84\u3002 Translation\u2026 Thoughts on\u00a0ArtsCross (1) 2013 ArtsCross\u00a0\u2014 Danscross Seminar 1 Starting with the\u00a0group discussions which took place on\u00a01 August and\u00a0up until this morning's thematic seminar, I\u00a0developed the\u00a0sense that academic research which spans across different art forms and\u00a0disciplines can constitute a\u00a0structural analysis and\u00a0consideration of\u00a0the\u00a0diverse\u2026","rel":"","context":"In &quot;General posts&quot;","block_context":{"text":"General posts","link":"https:\/\/rescen.net\/blog5\/category\/general_posts\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":982,"url":"https:\/\/rescen.net\/blog5\/2013\/08\/this-is-so-artscross\/","url_meta":{"origin":630,"position":3},"title":"This is SO ArtsCross!!!","author":"Riccardo Buscarini","date":"8 August 2013","format":false,"excerpt":"http:\/\/youtu.be\/WH5g1A_QMRg","rel":"","context":"In &quot;Video&quot;","block_context":{"text":"Video","link":"https:\/\/rescen.net\/blog5\/category\/video\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":1178,"url":"https:\/\/rescen.net\/blog5\/2013\/08\/artscross-after-party\/","url_meta":{"origin":630,"position":4},"title":"ArtsCross after party","author":"Andrew Lang","date":"11 August 2013","format":false,"excerpt":"","rel":"","context":"In &quot;Photos&quot;","block_context":{"text":"Photos","link":"https:\/\/rescen.net\/blog5\/category\/photos\/"},"img":{"alt_text":"_AWL6476","src":"https:\/\/i0.wp.com\/rescen.net\/blog5\/wp-content\/uploads\/2013\/08\/AWL6476-1024x569.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/rescen.net\/blog5\/wp-content\/uploads\/2013\/08\/AWL6476-1024x569.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/rescen.net\/blog5\/wp-content\/uploads\/2013\/08\/AWL6476-1024x569.jpg?resize=525%2C300 1.5x"},"classes":[]},{"id":691,"url":"https:\/\/rescen.net\/blog5\/2013\/08\/somewhere-among-us\/","url_meta":{"origin":630,"position":5},"title":"Somewhere among us&#8230;","author":"Ola Johansson","date":"9 August 2013","format":false,"excerpt":"In\u00a0many ways the\u00a0meeting with the\u00a0choreographers on\u00a0the\u00a07th of\u00a0August captured the\u00a0ArtsCross challenge quite adequately. And\u00a0I\u00a0don\u2019t just mean finding moments when we can say \u2018 This is so Artscross!\u2019 but when we get into the\u00a0breach of\u00a0media that comes with any practice-as-research project. The\u00a0choreographers are primarily dealing with their groups\u2019 evolving work and\u00a0when we\u2026","rel":"","context":"In &quot;General posts&quot;","block_context":{"text":"General posts","link":"https:\/\/rescen.net\/blog5\/category\/general_posts\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]}],"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/rescen.net\/blog5\/wp-json\/wp\/v2\/posts\/630","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/rescen.net\/blog5\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/rescen.net\/blog5\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/rescen.net\/blog5\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/rescen.net\/blog5\/wp-json\/wp\/v2\/comments?post=630"}],"version-history":[{"count":6,"href":"https:\/\/rescen.net\/blog5\/wp-json\/wp\/v2\/posts\/630\/revisions"}],"predecessor-version":[{"id":652,"href":"https:\/\/rescen.net\/blog5\/wp-json\/wp\/v2\/posts\/630\/revisions\/652"}],"wp:attachment":[{"href":"https:\/\/rescen.net\/blog5\/wp-json\/wp\/v2\/media?parent=630"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/rescen.net\/blog5\/wp-json\/wp\/v2\/categories?post=630"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/rescen.net\/blog5\/wp-json\/wp\/v2\/tags?post=630"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}