The cross (as in ArtsCross) is part of our project title and is methodologically as well as thematically at its core. The cross X<\/b> symbolises the separation and unification of two elements. It marks the distinction between systems, disciplines, cultures and contexts; and simultaneously entails their transcendence. ArtsCross is thus crucially, I suggest, about boundary crossings. A boundary may be seen as an \u201carbitrary line or marker of territory (which might be land, skin, cellular membrane, shoreline or academic discipline area\u201d (East 2010). In dance, we are used to operating with boundaries \u2013 and to collapsing them: for instance the inside-outside boundaries so often thematised in modern dance (such as by Doris Humphrey) and also evident in Chinese mask dances (which, if I understand correctly, can seek to merge the identity of the God and the performer). Or consider the boundaries between genres: for example the fusion between traditional Chinese dance and contemporary dance in Guo Lei\u2019s piece.<\/p>\n
In contrast to thinking which is determined by intractable dichotomies and binaries, the system theorist Niklas Luhmann writes that \u201cboundaries do not mark a break in connections\u2026 The concept of boundary means \u2026 that processes which cross boundaries \u2026 have different conditions for their continuance (e.g. different conditions of utilization, or of consensus) after they cross the boundaries\u201d (2000). Luhmann distinguishes boundary encounters<\/i> where people interact across boundaries (I imagine much like neighbours arguing across the garden fence) from boundary crossings<\/i> which presuppose the openness of a system and permit unhindered flow of ideas and innovations across a pre-existing divide. Some innovative theatre and dance forms aim to establish a dialogic blurring between spect-actors (Boal) and performers across the curtain line; the work is thus constantly in flux, negotiating relationships between performance and audience. While this does not happen explicitly in any of the ArtsCross choreographies I have witnessed, Vera Tussing does seek to establish a connection with the audience, though currently in a tentative and as yet unfinalised form.<\/p>\n
So, if we believe Luhmann, crossing boundaries will result in \u201cdifferent conditions for … continuance\u201d and hence in change. It is evident from the rehearsals that some ArtsCross choreographers are reaching across boundaries to accommodate the corporeal (and other) specificities of their dancers; while equally some dancers are crossing boundaries to meet the expectations of their choreographers. Be this as it may, the ResCen artists and performers who emerge from the project, having engaged in so many artistic, linguistic and national boundary-crossings, will be different from those who embarked on it initially. When everyone returns home, the experience of \u2018being elsewhere\u2019 will mean continuing on from a different point or perspective, having adjusted their habitus<\/i> in one way or another.<\/p>\n
P.S. After drafting this blog, I watched Su Wei-Chia\u2019s translated interview in which he used the metaphor of \u2018crossing\u2019 to pinpoint the commonalities amongst differently trained dancing bodies: \u201cWhen working together I really hope to create something that is built upon a shared belief amongst us, based on what we individually believe in. To me that is an act of crossing, or moving beyond boundaries\u201d.<\/p>\n","protected":false},"excerpt":{"rendered":"
The cross (as in ArtsCross) is part of our project title and is methodologically as well as thematically at its core. The cross X symbolises the separation and unification of two elements. It marks the distinction between systems, disciplines, cultures and contexts; and simultaneously entails their transcendence. ArtsCross is thus crucially, I suggest, about boundary crossings.… <\/p>\n","protected":false},"author":5,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[1],"tags":[],"class_list":["post-581","post","type-post","status-publish","format-standard","hentry","category-general_posts"],"jetpack_publicize_connections":[],"jetpack_shortlink":"https:\/\/wp.me\/p8mnDM-9n","jetpack-related-posts":[{"id":697,"url":"https:\/\/rescen.net\/blog5\/2013\/08\/%e8%b7%a8%e8%97%9d%c2%b7%e6%80%9d%e8%80%83%ef%bc%88seminar2%ef%bc%89\/","url_meta":{"origin":581,"position":0},"title":"\u8de8\u85dd\u00b7\u601d\u8003\uff08\u4e8c\uff09","author":"TONG 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ArtsCross Observations (2) Thoughts on\u00a0Seminar 2 In\u00a0my\u00a0view, cross-linguistic research is essentially a\u00a0form of\u00a0cross-cultural research. Just like Ya-Ping's keyword for\u00a0today, \u201ctravel\u201d, the\u00a0cultural journey is unrestrained from the\u00a0outset. While people constitute the\u00a0subjective participants in\u00a0\"travel\", while on\u00a0the\u00a0road, people are often unable to\u00a0control their own\u2026","rel":"","context":"In "General posts"","block_context":{"text":"General posts","link":"https:\/\/rescen.net\/blog5\/category\/general_posts\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":630,"url":"https:\/\/rescen.net\/blog5\/2013\/08\/how-do-we-do-it\/","url_meta":{"origin":581,"position":1},"title":"How do we do it?","author":"Ola Johansson","date":"3 August 2013","format":false,"excerpt":"In\u00a0connection to\u00a0talks in\u00a0the\u00a0working group \u2018Crossing disciplines\u2019 I\u00a0have tried to\u00a0see what is potentially unique about the\u00a0ArtsCross concept from a\u00a0disciplinary perspective. Discussing disciplinary approaches is of\u00a0course inspiring in\u00a0light of\u00a0the\u00a0versatile framework of\u00a0the\u00a0project, in\u00a0which national, linguistic, cultural, pedagogic and\u00a0aesthetic boundaries are crossed \u2013 just as\u00a0the\u00a0theme of\u00a0this year\u2019s edition of\u00a0ArtsCross indicates. However, rather than navigating\u2026","rel":"","context":"In "General posts"","block_context":{"text":"General posts","link":"https:\/\/rescen.net\/blog5\/category\/general_posts\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":691,"url":"https:\/\/rescen.net\/blog5\/2013\/08\/somewhere-among-us\/","url_meta":{"origin":581,"position":2},"title":"Somewhere among us…","author":"Ola Johansson","date":"9 August 2013","format":false,"excerpt":"In\u00a0many ways the\u00a0meeting with the\u00a0choreographers on\u00a0the\u00a07th of\u00a0August captured the\u00a0ArtsCross challenge quite adequately. And\u00a0I\u00a0don\u2019t just mean finding moments when we can say \u2018 This is so Artscross!\u2019 but when we get into the\u00a0breach of\u00a0media that comes with any practice-as-research project. The\u00a0choreographers are primarily dealing with their groups\u2019 evolving work and\u00a0when we\u2026","rel":"","context":"In "General posts"","block_context":{"text":"General posts","link":"https:\/\/rescen.net\/blog5\/category\/general_posts\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":810,"url":"https:\/\/rescen.net\/blog5\/2013\/08\/report-of-beijing-2012-artscross-from-taipeis-par-magazine\/","url_meta":{"origin":581,"position":3},"title":"report of Beijing 2012 Artscross from Taipei’s PAR magazine","author":"LIN Ya-tin","date":"6 August 2013","format":false,"excerpt":"2012 Beijing Artscross \u8de8\u85dd\u5831\u5c0ePAR 2012 Beijing Artscross\u8de8\u85dd\u5831\u5c0e PAR-1 2012 Beijing Artscross \u8de8\u85dd\u5831\u5c0ePAR-2 (total 3 pdf files)","rel":"","context":"In "General posts"","block_context":{"text":"General posts","link":"https:\/\/rescen.net\/blog5\/category\/general_posts\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":1352,"url":"https:\/\/rescen.net\/blog5\/2014\/11\/embodied-translation-artscross-5th-anniversary-performance-beijing-dance-academy-october-2014\/","url_meta":{"origin":581,"position":4},"title":"Embodied translation: Artscross 5th Anniversary Performance, Beijing Dance Academy October 2014","author":"Rebecca Loukes","date":"10 November 2014","format":false,"excerpt":"I\u2019ve been in\u00a0Beijing for\u00a0just under a\u00a0week, observing the\u00a0final rehearsals and\u00a0performance of\u00a0nine pieces selected from the\u00a0past five years of\u00a0ArtsCross. The\u00a0programme for\u00a0the\u00a0show on\u00a023rd October consisted of\u00a0works by\u00a0chorographers from Beijing, Taipei and\u00a0London. The\u00a0pieces were reworked in\u00a0various ways and\u00a0included some of\u00a0the\u00a0original dancers and\u00a0some new performers. As\u00a0a\u00a0spectator and\u00a0academic participant in\u00a0ArtsCross since 2011, it was very\u2026","rel":"","context":"In "General posts"","block_context":{"text":"General posts","link":"https:\/\/rescen.net\/blog5\/category\/general_posts\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":1190,"url":"https:\/\/rescen.net\/blog5\/2013\/08\/%e6%b1%9f%e4%b8%9c%e4%bc%a6%e6%95%a6%e8%b7%a8%e8%89%ba%e6%97%85%e6%80%9d09%ef%bc%9a%e8%b7%a8%e8%89%ba%e5%b9%b3%e5%8f%b0%e4%b8%8a%e7%9a%84%e5%a4%a7%e9%99%86%e4%b8%8e%e5%8f%b0%e6%b9%be\/","url_meta":{"origin":581,"position":5},"title":"\u6c5f\u4e1c\u4f26\u6566\u8de8\u827a\u65c5\u601d09\uff1a\u201c\u8de8\u827a\u201d\u5e73\u53f0\u4e0a\u7684\u5927\u9646\u4e0e\u53f0\u6e7e\u7684\u821e\u8e48\u4ea4\u878d","author":"JIANG Dong","date":"12 August 2013","format":false,"excerpt":"\u201c\u8de8\u827a\u201d\u4e3b\u6301\u4eba\u3001\u82f1\u56fd\u5b66\u8005MARTIN\u5728\u505a\u201c\u8de8\u827a\u201d\u8bba\u575b\u7684\u603b\u7ed3\u65f6\uff0c\u63d0\u5230\u5e0c\u671b\u80fd\u6709\u5173\u4e8e\u4e2d\u56fd\u5927\u9646\u548c\u53f0\u6e7e\u821e\u8e48\u4ea4\u6d41\u7684\u4e00\u4e9b\u8bae\u8bba\u3002\u5e94\u8be5\u8bf4\uff0c\u4e0d\u5bf9\u8fd9\u4e00\u73b0\u8c61\u505a\u4e00\u56de\u5e94\uff0c\u59d4\u5b9e\u59d4\u5c48\u4e86\u4e24\u5cb8\u6b63\u5728\u5229\u7528\u201c\u8de8\u827a\u201d\u8ba1\u5212\u800c\u8fdb\u884c\u7684\u5065\u5eb7\u800c\u5bcc\u6709\u6210\u6548\u7684\u821e\u8e48\u4ea4\u6d41\u3002 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Jiang Dong's London Reflections 09: ArtsCross Blending Mainland and\u00a0Taiwanese Dance on\u00a0the\u00a0Stage In\u00a0summing up the\u00a0ArtsCross forum, the\u00a0British Scholar Martin noted that he would like to\u00a0hear some discussion on\u00a0the\u00a0meeting of\u00a0mainland and\u00a0Taiwanese dance. If we failed to\u00a0engage in\u00a0such discussion, we would\u2026","rel":"","context":"In "General posts"","block_context":{"text":"General posts","link":"https:\/\/rescen.net\/blog5\/category\/general_posts\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]}],"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/rescen.net\/blog5\/wp-json\/wp\/v2\/posts\/581","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/rescen.net\/blog5\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/rescen.net\/blog5\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/rescen.net\/blog5\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/rescen.net\/blog5\/wp-json\/wp\/v2\/comments?post=581"}],"version-history":[{"count":3,"href":"https:\/\/rescen.net\/blog5\/wp-json\/wp\/v2\/posts\/581\/revisions"}],"predecessor-version":[{"id":584,"href":"https:\/\/rescen.net\/blog5\/wp-json\/wp\/v2\/posts\/581\/revisions\/584"}],"wp:attachment":[{"href":"https:\/\/rescen.net\/blog5\/wp-json\/wp\/v2\/media?parent=581"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/rescen.net\/blog5\/wp-json\/wp\/v2\/categories?post=581"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/rescen.net\/blog5\/wp-json\/wp\/v2\/tags?post=581"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}