{"id":1129,"date":"2013-08-10T22:19:49","date_gmt":"2013-08-10T22:19:49","guid":{"rendered":"http:\/\/rescen.net\/blog5\/?p=1129"},"modified":"2013-08-10T22:19:49","modified_gmt":"2013-08-10T22:19:49","slug":"shifting-perspective-literally","status":"publish","type":"post","link":"https:\/\/rescen.net\/blog5\/2013\/08\/shifting-perspective-literally\/","title":{"rendered":"Shifting perspective. Literally"},"content":{"rendered":"

In an earlier post (“On being out out of place<\/a>“) I made a point about a dancer placed at the front and in the centre, linking up the strength of that position choreographically with her strength as a performer. Well, having just seen this piece in the theatre, I think the likely explanation is that she is shorter than the others — so of course she wouldn’t be placed at the back, without some other reason. In the studio, when the idea occurred to me, I was sitting at floor level, looking up, and the height difference wasn’t so noticeable. In the theatre, I was looking down from further away. And pah! There it was. So I’ve changed my point of view about that.<\/p>\n","protected":false},"excerpt":{"rendered":"

In an earlier post (“On being out out of place“) I made a point about a dancer placed at the front and in the centre, linking up the strength of that position choreographically with her strength as a performer. Well, having just seen this piece in the theatre, I think the likely explanation is that she is shorter than the others —… <\/p>\n","protected":false},"author":27,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[1],"tags":[],"class_list":["post-1129","post","type-post","status-publish","format-standard","hentry","category-general_posts"],"jetpack_publicize_connections":[],"jetpack_shortlink":"https:\/\/wp.me\/p8mnDM-id","jetpack-related-posts":[{"id":925,"url":"https:\/\/rescen.net\/blog5\/2013\/08\/into-the-theatre\/","url_meta":{"origin":1129,"position":0},"title":"Into the theatre…","author":"Rebecca Loukes","date":"8 August 2013","format":false,"excerpt":"Last night we watched the\u00a0first run through of\u00a0all the\u00a0pieces together in\u00a0the\u00a0theatre. \u00a0There were no lights yet, but sound was used. \u00a0It was incredibly exciting to\u00a0see the\u00a0work filling the\u00a0space of\u00a0the\u00a0theatre. \u00a0Over the\u00a0past days we've become used to\u00a0observing the\u00a0work 'up close' from the\u00a0edge of\u00a0the\u00a0studio\u00a0\u2014 even seeing the\u00a0reflections of\u00a0the\u00a0dancers in\u00a0the\u00a0mirrors on\u00a0the\u00a0wall in\u00a0tandem with\u2026","rel":"","context":"In "General posts"","block_context":{"text":"General posts","link":"https:\/\/rescen.net\/blog5\/category\/general_posts\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":1033,"url":"https:\/\/rescen.net\/blog5\/2013\/08\/on-being-out-of-place\/","url_meta":{"origin":1129,"position":1},"title":"On being out of place","author":"Sanjoy Roy","date":"8 August 2013","format":false,"excerpt":"A\u00a0visit to\u00a0two groups this evening \u2013 Su Weichia\u2019s and\u00a0Guo Lei\u2019s \u2013\u00a0 and\u00a0it\u2019s the\u00a0first time I\u2019ve come away thinking about dancers being singled out. Both these groups feature one UK dancer within a\u00a0group of\u00a0Chinese dancers. Of\u00a0course, that\u2019s not the\u00a0only way of\u00a0looking at\u00a0the\u00a0groups \u2013 and\u00a0I'm conscious of\u00a0my\u00a0Londonist perspective coming into play, however\u2026","rel":"","context":"In "General posts"","block_context":{"text":"General posts","link":"https:\/\/rescen.net\/blog5\/category\/general_posts\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":990,"url":"https:\/\/rescen.net\/blog5\/2013\/08\/%e8%b7%a8%e8%89%ba%c2%b7%e8%a7%82%e5%af%9f%ef%bc%88%e5%9b%9b%ef%bc%89\/","url_meta":{"origin":1129,"position":2},"title":"\u8de8\u827a\u00b7\u89c2\u5bdf\uff08\u56db\uff09","author":"TONG Yan","date":"8 August 2013","format":false,"excerpt":"\u6628\u665a\uff0c\u8fdb\u5267\u573arun through\u3002\u4ece\u767d\u5929\u5230\u665a\u4e0a\uff1b\u4ece\u6392\u7ec3\u5ba4\u5230\u5267\u573a\uff1b\u6709\u821e\u53f0\uff0c\u6709\u5ea7\u5e2d\uff0c\u65f6\u95f4\u3001\u7a7a\u95f4\u53c8\u4e00\u6b21\u201c\u5728\u522b\u5904\u201d\u3002 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\u201c\u964c\u751f\u5316\u201d\u53ef\u4ee5\u7528\u6765\u7406\u89e3\u8868\u6f14\uff0c\u4e5f\u53ef\u4ee5\u7528\u6765\u7406\u89e3\u5386\u53f2\u4e0e\u6587\u5316\u3002 Translation... ArtsCross Observations (4) Last night, we went to\u00a0the\u00a0theatre for\u00a0a\u00a0run through. From morning to\u00a0night; from the\u00a0studio to\u00a0the\u00a0theatre; the\u00a0stage, the\u00a0seats...time and\u00a0space were once more \"being elsewhere\". 1. The\u00a0problems and\u00a0pleasures of\u00a0a\u00a0small theatre Being used to\u00a0the\u00a0space in\u00a0the\u00a0China National Centre for\u00a0the\u00a0Performing Arts, the\u00a0Poly Theatre, and\u00a0even the\u00a0new\u2026","rel":"","context":"In "General posts"","block_context":{"text":"General posts","link":"https:\/\/rescen.net\/blog5\/category\/general_posts\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":440,"url":"https:\/\/rescen.net\/blog5\/2013\/07\/presentation-at-iftr-barcelona\/","url_meta":{"origin":1129,"position":3},"title":"presentation at IFTR Barcelona","author":"Naomi Inata","date":"29 July 2013","format":false,"excerpt":"Ola made a\u00a0presentation at\u00a0IFTR, International Federation for\u00a0Theatre Research, in\u00a0Barcelona on\u00a0Thusday July 25. There was not enough time to\u00a0introduce about ArtsCross but some people asked me about it. Hopefully many people may join ArtsCross.","rel":"","context":"In "General posts"","block_context":{"text":"General posts","link":"https:\/\/rescen.net\/blog5\/category\/general_posts\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":28,"url":"https:\/\/rescen.net\/blog5\/2013\/06\/artscross-london-2013-key-dates\/","url_meta":{"origin":1129,"position":4},"title":"ArtsCross London 2013 Key Dates","author":"Andrew Lang","date":"24 June 2013","format":false,"excerpt":"\u00a0 \u00a0 \u00a0 Friday 19 July \u00a0 Choreographers' workshops and\u00a0discussion Postings of\u00a0Interviews \u00a0 \u00a0 Sunday 21 July \u00a0 Rehearsals begin Postings of\u00a0rehearsal video and\u00a0artists comments \u00a0 \u00a0 Monday 29 July \u00a0 Academics begin observations Postings of\u00a0academics' observations \u2013 thoughts in\u00a0progress \u00a0 \u00a0 Saturday 10 August \u00a0 Performance Leaving home: being\u2026","rel":"","context":"In "General posts"","block_context":{"text":"General posts","link":"https:\/\/rescen.net\/blog5\/category\/general_posts\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":413,"url":"https:\/\/rescen.net\/blog5\/2013\/07\/soft-bodies-soft-power\/","url_meta":{"origin":1129,"position":5},"title":"Soft Bodies, Soft Power","author":"Martin Welton","date":"31 July 2013","format":false,"excerpt":"Much of\u00a0our blogging to\u00a0date has focused on\u00a0the\u00a0'up close' material of\u00a0the\u00a0project, in\u00a0ethnographic or\u00a0phenomenological terms, examining specificities of\u00a0language as\u00a0it is spoken in\u00a0rehearsal room, or\u00a0as\u00a0it might get to\u00a0grips with the\u00a0immediate realities of\u00a0activities there. 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