{"id":42,"date":"2018-07-30T12:00:10","date_gmt":"2018-07-30T12:00:10","guid":{"rendered":"http:\/\/rescen.net\/DU40\/?page_id=42"},"modified":"2021-03-29T17:11:09","modified_gmt":"2021-03-29T17:11:09","slug":"oona-doherty","status":"publish","type":"page","link":"https:\/\/rescen.net\/DU40\/artists\/oona-doherty\/","title":{"rendered":"Oona Doherty"},"content":{"rendered":"<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-43\" src=\"https:\/\/i0.wp.com\/rescen.net\/DU40\/wp-content\/uploads\/2018\/07\/Oona-Doherty.jpg?resize=253%2C164&#038;ssl=1\" alt=\"\" width=\"253\" height=\"164\" \/><\/p>\n<p>Oona Doherty is a Dance Artist based in Northern Ireland. She studied at The London School Of Contemporary Dance, University of Ulster and LABAN London. BA Honours and Post Graduate in Contemporary Dance Studies. She has been performing Dance Theatre internationally since 2010 with companies such as: TRASH (NL), Abbattoir Ferme (BE), Veronika Riz (IT), Emma Martin \/United Fall (IE).<\/p>\n<p>2016 The MAC Theatre Belfast HATCH Artist<br \/>\n2016\/18 A prime Cut Productions REVEAL Artist<br \/>\n2017\/18 Maison La Dans Associate Artist Lyon<br \/>\n2017\/19 Lu Briquetterie Associate Artist Paris<\/p>\n<p>Winner of the Arts Council of Northern Ireland\u2019s Major Individual Artist award, the most prestigious individual award bestowed by the agency.<\/p>\n<p>Her piece <em>Hope Hunt and the Ascension Into Lazarus<\/em> has had the following recognitions: Dublin Tigre Fringe Best Performance Award 2016; Edinburgh Fringe Total Theatre Award 2017; The Place Dance Award Edinburgh Fringe 2017; and (RE) Conisaunce Choreographic Grenoble 1st Prize Jury, 1st Prize Audience Vote.<\/p>\n<p><iframe loading=\"lazy\" title=\"Oona Doherty Interview 13.10.18\" src=\"https:\/\/player.vimeo.com\/video\/296593129?dnt=1&amp;app_id=122963\" width=\"525\" height=\"295\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write\"><\/iframe><\/p>\n<p><strong>Re-Search<\/strong>: <em>Lady Magma<\/em> is a celebration of Dionysius, creeping out of a 70\u2019s style pattern. The dancers throb. The birth of a cult before your eyes. This Dance is a ritual. Exploring the different facets of femininity, lust, love, madness and deep groove. The fact that dance is used to attract a mate in all of the animal kingdoms. Means it\u2019s innately sexy. And that sexy is innately powerful. We will be grooving and shaking around this.<\/p>\n<p><a href=\"http:\/\/www.oonadohertyweb.com\" target=\"_blank\" rel=\"noopener\">www.oonadohertyweb.com<\/a><\/p>\n<p><strong><a href=\"https:\/\/rescen.net\/DU40\/research-artists\/oona-doherty\/du-project-details\/\">DU Project Details<\/a><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Oona Doherty is a Dance Artist based in Northern Ireland. She studied at The London School Of Contemporary Dance, University of Ulster and LABAN London. BA Honours and Post Graduate in Contemporary Dance Studies. She has been performing Dance Theatre internationally since 2010 with companies such as: TRASH (NL), Abbattoir Ferme (BE), Veronika Riz (IT), &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/rescen.net\/DU40\/artists\/oona-doherty\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Oona Doherty&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":7,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-42","page","type-page","status-publish","hentry"],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/rescen.net\/DU40\/wp-json\/wp\/v2\/pages\/42","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/rescen.net\/DU40\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/rescen.net\/DU40\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/rescen.net\/DU40\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/rescen.net\/DU40\/wp-json\/wp\/v2\/comments?post=42"}],"version-history":[{"count":9,"href":"https:\/\/rescen.net\/DU40\/wp-json\/wp\/v2\/pages\/42\/revisions"}],"predecessor-version":[{"id":564,"href":"https:\/\/rescen.net\/DU40\/wp-json\/wp\/v2\/pages\/42\/revisions\/564"}],"up":[{"embeddable":true,"href":"https:\/\/rescen.net\/DU40\/wp-json\/wp\/v2\/pages\/7"}],"wp:attachment":[{"href":"https:\/\/rescen.net\/DU40\/wp-json\/wp\/v2\/media?parent=42"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}